If you’re born with the love for the wrote and the writ …
Thanks to L.
If you’re born with the love for the wrote and the writ …
Thanks to L.
Didn’t you know that books dance at night? They dance and play and visit their friends!
Created by Sean and Lisa Ohlenkamp for Type Books in Toronto. Music by Grayson Matthews.
I remember a book collector from Carlos Maria Dominguez’s House of Paper who was very careful not to put books that wouldn’t like each other side by side on a shelf. How fantastic, I thought, to show such consideration and kindness. The things books let us be!
Discovery made thanks once again to Colossal.
I stumbled upon a touching moment this weekend in Roger Scruton’s 2009 documentary Why Beauty Matters. Towards the end of the film a group of musicians performs Pergolesi’s Stabat Mater at a train station. To a place of hurry and perfunctoriness, Beauty entered like a strange visitor from another world. It made people stop. Not in curiosity, but in awe. Something similar happened to me last winter in Madrid. A group of musicians stood in front of El Corte Inglés (the biggest department store chain in Spain) and played Ave Maria from Schubert’s Ellens dritter Gesang. It was unexpected. It was mesmerising. Of course I only captured it in memory. Someone managed to capture the same group on film though, it seems. I was happy to find it. They perform there regularly, I hear. In this video they peform O mio babbino caro from Puccini’s opera Gianni Schicchi. It does not compare to hearing them randomly as you wander the big city streets alone, but it does make one wonder … Where does beauty come from? Why does it matter?
Have a great start of the week!
In the spirit of www widening our palette of possibilities …
Thanks to Colossal.
Guardian asked authors about some of their favourite new titles this year. It would seem it has been a good year. Nice to see some less talked-about newcomers appear on the list as well, like Chavs by Owen Jones. Eric Hobsbawm’s choice, incidentally.










Which have you enjoyed most this year?
A tiny, short and beautiful film based on Danilo Kis’ novel A Tomb for Boris Davidovich. Narrated by Miki Manojlovic, directed by Aleksandar Kostic, illustrations by Dragana Vucetic.
On the shelves of the legendary Paris bookshop Shakespeare and Company books come to life at night. Spike Jonze has something to do with it. It isn’t a dream. It’s his most recent project.
Andrew Kolb’s illustrated Space Oddity now spiced up in animated motion by Andrew Ruttan.
To make the wait for your copy of 1Q84 a bit easier, here’s an article-interview with Murakami for the Guardian by Emma Brockes. Quite interesting!

All around him his friends rebelled, too. Some killed themselves, something Murakami often writes about. “They are gone,” he says. “It was a very chaotic time, and I’m still missing them. So sometimes I feel very strange to become 63 years old. I feel myself as a kind of survivor. Every time I think about them, I have some feeling that I have to live, I have to live very strong. Because I don’t want to spend years of my life… it should be the very purpose, life. Because I survived, I have obligations to give fully. So, every time I write my fiction, from time to time I think of the deceased. Friends.”
Consistency is all. “I like to read books. I like to listen to music. I collect records. And cats. I don’t have any cats right now. But if I’m taking a walk and I see a cat, I’m happy.”

To promote his new book, formerly Google’s now Facebook’s creative director Ji Lee created this visually delightful video, in which the relationship between the signifier and the signified becomes a bit less arbitrary.
Via the Casual Optimist.
To celebrate the 50th anniversary of the publication of Joseph Heller’s groundbreaking novel Catch 22, Kevin Power wrote an interesting article for the Irish Times on the timeless effect of Hellerian humour and its widespread influence. The Simpsons are mentioned.
In retrospect, Joseph Heller appears to have schooled us in a style of humour that we now take for granted: absurdist, brash, hyperintelligent, rooted in despair.
In Heller’s hands, the conceit has a savage elegance, and the book’s tangled narrative unfurls in gorgeously modulated prose, in which even the simplest sentences end with the snap of sharp teeth.
Heller was neither the only one nor the first to use this kind of humour. The absurd goes way back. It certainly reaches a climax with him though. Why? Because he armed himself with non-sense to make sense of the most non-sensical things of all, war. And he dared to fail.
Morale was deteriorating and it was all Yossarian’s fault. The country was in peril; he was jeopardizing his traditional rights of freedom and independence by daring to exercise them.
Hellerious, right?
Ray Bradbury’s short story turned animated film from 1962. A beauty that works like a fantastic dream.
The desert waiting. The stars waiting. A man waiting.
A tiny visual delight on the work of contemporary artists Olek and Swoon from PBS Arts. Enjoy!
For all lovers of books and of reading, signandsight.com‘s translated and uploaded a brilliant article by Bora Cosic on reading books no one else reads, where books in all their manifestations can be found, and on how complex and all-encompassing the act of reading is.
Personally I require many hours of reading, because I usually read tremendously thick books, and also notably boring ones; I am always convinced that at the core of an abstruse sentence lies the magnificence of a discovery just waiting to be made.
In a time of book’s wavering on the stage of the world, these confessions of an eager book-eater really soothe a bookworm’s battered heart.
I read my fill at various times, not only of printed texts, I was also a careful reader of book covers, bindings, and what is printed on the dust jacket. I would say that one finds an entire culture of the written word in abbreviated form, if one only looks at the narrow column printed on the inner flap of the book jacket, where there is a description as succinct as a dictionary entry telling what the book is about. If all the books in the world were to disappear, (as in “Fahrenheit 451″) and only the book covers remained, perhaps one could reconstruct human thought in this way.
I highly recommend reading the whole article. It’s a breath of fresh air. A subtle smile from a foggy distance, from someone who shares your peculiar convictions.
From world-renowned stop motion animator Barry JC Purves comes Tchaikovky, an animated interpretation of the life and work of the great 19th century Russian composer. The film will hit the big screens later this year. While working on the set, cameraman Joe Clarke shot a mesmerising series of time-lapses of the masterminds in action – Purves and Tchaikovsky:
He’s also uploaded some gorgeous stills from the film on his website.
I am exquisitely thrilled about this one!