Jan 232012
 

I keep thinking about this Kieslowski fragment. I admit I don’t remember much of the rest of the movie. This fragment is more or less all I carried away. The puppet master and the dying ballerina. They are joined, related, married into something altogether different. In the artistry of an artist. Speaking of which, the artistry of a bookseller was always a bit fuzzy, complicated. Are we just the guys that push coins over the front desk? Or is there still some magic in little bookshops, those few remaining ones?

My friend Natasha sent me a link to this Rube Goldberg video. I watched it once. A couple of days later I decided to take another look.

It is his face that is so beautiful. He is from another planet, no? The way I understand it is that the whole construction of the incredible machine relates to the rational side of personality. Yours, mine, doesn’t matter. Rationality makes all these incredible bridges and not always the easiest and the most logical connections. It doesn’t always get you where you want and the way you want it. But it does protect the creative inner being. That is important. As long as I can manage to protect my inner being and keep it as innocent, as curious and as alive as this guy’s beautiful face – Book Depository and Amazon can both go to hell. I’ll keep constructing my incredible machine. Whatever the twist, turn or shape it may take.

On Wednesday we went dark together with thousands of web sites all across the universe. It might look a bit funny or pretentious. Such a small and insignificant bookshop joins the protest. After all, we make our living by selling intellectual property and yet we seemingly disagree with the act that is supposed to stop piracy. Well, I tend to agree with Cory Doctorow that no level of piracy justifies the proposed measures.

I’ve read this nice piece about how independent booksellers should stop trying to compete with online retailers. A day or two later I ran into this email from a disillusioned publisher employee. Very interesting. One of the problems I see is that the complete book industry pricing system has been turned obsolete. It was originally designed to appreciate each and every single creative input in the bookselling network. Now the list price mutated into a mere concept, useful psychological tool in the hands of big players and a heavy burden around the necks of independents.

I followed links to articles pro and contra independent bookshops. I’ve learned that Ann Patchett, American novelist has recently opened a bookshop. She could not stand living in a city without a single bookshop.

On my hyper-walks I stumbled upon this lovely independent bookshop that opened in 2011 in Rockland, Maine, USA, town of less than eight thousand inhabitants.

In real life, I happened to walk past Smetumet window on Celovška and liked it a lot. And I continued to read 1Q84. Slowly.

 Posted by at 7:56 pm  Tagged with:

It’s here!

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Oct 282011
 

Murakami’s newest novel, 1Q84 arrived today. As mentioned before, we offer it for very cool price of 19.90 euros.

Translating Murakami

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Oct 272011
 

Usually I work five days a week and finish a rough draft of four pages per day. Twenty pages a week, 80 pages a month—that’s always my goal. With writers whose prose is trickier, I might do only three pages a day, but Murakami is pretty straightforward and logical. It took about ten months to come up with a rough draft of Book 3 of 1Q84, and then I spent two months revising it.

Whilst we wait for our copies of 1Q84 to arrive, here is a short interview with one of translators. It takes about a year for only one out of three volumes, and that is for a rough draft. (hvala, Vuk)

 Posted by at 7:50 pm  Tagged with:
Oct 162011
 

To make the wait for your copy of 1Q84 a bit easier, here’s an article-interview with Murakami for the Guardian by Emma Brockes. Quite interesting!

Haruki Murakami

All around him his friends rebelled, too. Some killed themselves, something Murakami often writes about. “They are gone,” he says. “It was a very chaotic time, and I’m still missing them. So sometimes I feel very strange to become 63 years old. I feel myself as a kind of survivor. Every time I think about them, I have some feeling that I have to live, I have to live very strong. Because I don’t want to spend years of my life… it should be the very purpose, life. Because I survived, I have obligations to give fully. So, every time I write my fiction, from time to time I think of the deceased. Friends.”

Consistency is all. “I like to read books. I like to listen to music. I collect records. And cats. I don’t have any cats right now. But if I’m taking a walk and I see a cat, I’m happy.”

Aug 162011
 

Update, 28th October: 1Q84 arrived!

Update, 21st October: It’s already in the box, in the UK, waiting for the truck to leave. If everything goes well, we should have it by the end of next week.

Update, 30th September: Again linking Harvill Secker cover. As already mentioned before, this is a hardcover edition, all three books in one volume.

Update, 25th September: This weekend a cover image that I linked here suddenly disappeared, so now I link the cover of an American edition instead. I will change back to UK cover as soon as the link will be alive again. There is a nice article in Guardian and there is a new video trailer on YouTube. Enjoy!

The English translation of Haruki Murakami’s newest novel is coming out on the 25th of October. We expect it to hit our shelves in the end of October, latest in the first days of November. This special hardcover edition (for export only) includes all three books.

We offer it for 19.90 eur.

Here is the official countdown page (it says 69 as I write this).

You can reserve your copy via email, telephone call or by paying a visit to our very special corner of the known universe at Židovska steza 3 in Ljubljana).

Short description from Harvill Secker, Murakami’s UK publisher:

The year is 1984. Aomame sits in a taxi on the expressway in Tokyo.

Her work is not the kind which can be discussed in public but she is in a hurry to carry out an assignment and, with the traffic at a stand-still, the driver proposes a solution. She agrees, but as a result of her actions starts to feel increasingly detached from the real world. She has been on a top-secret mission, and her next job will lead her to encounter the apparently superhuman founder of a religious cult.

Meanwhile, Tengo is leading a nondescript life but wishes to become a writer. He inadvertently becomes involved in a strange affair surrounding a literary prize to which a mysterious seventeen-year-old girl has submitted her remarkable first novel. It seems to be based on her own experiences and moves readers in unusual ways. Can her story really be true?